How do you learn to raise the first generation for whom the virtual world is just as important as their physical lives?

At a crossroads, Pasek and Paul had an idea. If no one would cast them in a musical, why not write one of their own and put it on themselves?

Carl Wilson considers the ways 24-Decade plays with popular music, and talks to music director Matt Ray about how he takes an orchestra through a twenty-four-hour performance.

Taylor Mac may be known for outrageous costumes, but that fabulousness extends to the audience as well!

Carole Shorenstein Hays raises the curtain on the new Curran. After a joyous, two year renovation and restoration, our mission is to create a home where art, technology and entertainment intersect in a way that can only happen at this moment in San Francisco.

Carole Shorenstein Hays gives us some background for these behind-the-scenes photos of her haute DIY day at the Curran when costume designer Machine Dazzle outfitted her with flotsam and jetsam and je ne sais quoi.

Hear from staff and students about the Stanford Arts Intensive workshop, which demonstrates Curran's special relationship to education

Carole Shorenstein Hays talks to THE CURRAN[T]’s Gracie Hays about FUN HOME, ECLIPSED, and the Curran’s exciting next act - which is also her own.

Taylor Mac sat down with KQED's Chloe Veltman to talk about A 24-DECADE HISTORY OF POPULAR MUSIC and the process behind creating it.

Novelist Dave King talks to Taylor Mac about Nina Simone, formative trips to San Francisco, and what it’s like to stage 24-Decade in 2017.

Marcie Bianco explores how Stanford is stepping up to put shows like 24-Decade on stage

From the Tony Award®-winning author of M. Butterfly and the Tony Award®-winning composer of Fun Home, comes a brand new play with a musical.