He is one of the most well-known and pervasive talents in entertainment and one of the most diversified performers in the industry today, a successful author, playwright, producer, actor, screenwriter, and comedian for more than three decades. His work has earned him an Academy Award®, five Grammy Awards® (two for comedy, three for music), the Mark Twain Award, and the Kennedy Center Honor. Martin’s films are widely popular successes, such as The Jerk (1979, also screenplay), Planes, Trains & Automobiles (1987), Roxanne (1987, also screenplay), Parenthood (1989), L.A. Story (1991, also screenplay), Father of the Bride (1991), and Bowfinger (1999, also screenplay). As an author, Martin’s work includes the plays Picasso at the Lapin Agile and The Underpants, the best- selling novella, Shopgirl, and his memoir, Born Standing Up. Steve Martin is also an accomplished Grammy Award-winning, boundary-pushing bluegrass banjoist and composer. In 2013, Martin released his third full-length album called Love Has Come For You, a unique collaboration with songwriter Edie Brickell. Love Has Come For You won a Grammy for Best American Roots Song for the title track and inspired their musical Bright Star, which opened on Broadway in March 2016 and received five Tony Award nominations and seven Drama Desk Award nominations, winning for Outstanding Music. Bright Star also won Outstanding New Broadway Musical and Outstanding New Score at the Outer Critics Circle Awards. Martin and Brickell’s second album together, So Familiar, was released on Rounder Records and featured 12 remarkable songs that brought the acclaimed duo’s musical collaboration into fresh creative territory. Steve Martin and The Steep Canyon Rangers released their newest collaboration, The Long-Awaited Album, on Rounder Records on September 22, 2017.

She released the debut multi-platinum album Shooting Rubber Bands at the Stars with New Bohemians in 1988. Her recent works include a 13-track collaboration with Steve Martin titled Love Has Come For You. The album won a Grammy for Best American Roots Song and inspired the musical Bright Star. Their second album, So Familiar, is out now.

He directed the New York productions of Bright Star, Venus in Fur, The Landing, Golden Age, School for Lies, Irving Berlin’s White Christmas, Chicago, The Submission, Cabin Pressure, The Savannah Disputation, New Jerusalem, High Fidelity, The Other Woman, The Marriage of Bette and Boo, Sweet Charity, Twentieth Century, Footloose, Durang/Durang, For Whom the Southern Belle Tolls, and A Grand Night for Singing. He was Artistic Director of City Center Encores! where he also directed Fiorello!, Chicago, Tenderloin, Golden Boy, No, No, Nanette, and Zorba as well as the Carnegie Hall concerts of South Pacific and Carousel. Mr. Bobbie recently premiered Paul Rudnick’s Big Night at the Kirk Douglas Theatre. He serves on the Board of the Stage Directors and Choreographers Society. He is the recipient of Drama Desk, Outer Critics Circle, and Tony Awards.

He choreographed the Broadway productions of Rodgers + Hammerstein’s Cinderella (L.A. Drama Critics Circle Award Winner, Outer Critics Circle, Astaire, and Drama Desk Award nominations), It Shoulda Been You, First Date, and Bright Star (Outer Critics Circle and Astaire Award nominations). On London’s West End, he choreographed Carousel at the English National Opera and Sweeney Todd starring Emma Thompson. City Center Encores!: Zorba and Big River. Other theatre credits include Company starring Neil Patrick Harris (PBS), Sondheim: The Birthday Concert (PBS), The Landing (Vineyard Theatre), Broadway: Three Generations (Kennedy Center), A Funny Thing Happened on the Way to the Forum (Shakespeare Theatre Company), and Working (Prospect Theatre) Mr. Rhodes directed Ken Ludwig’s Baskerville (The Old Globe), Guys and Dolls (Asolo Rep and The Old Globe), Spamalot (5th Avenue Theatre), and Celestina Warbeck and the Banshees in Diagon Alley at The Wizarding World of Harry Potter. He is a proud graduate of the University of Michigan.

Eugene Lee has been the production designer for Saturday Night Live since 1974 and also designed The Tonight Show Starring Jimmy Fallon and Late Night With Seth Meyers. He’s received Tony, Emmy, Outer Critic Circle, Drama Desk, Lucille Lortel, Pell, and Elliot Norton Awards, and the American Theatre Wing’s Design Award. He was recently inducted into New York’s Theater Hall of Fame and is currently represented on Broadway by Wicked. He lives with his wife, Brooke, in Providence, RI.

Originally from Liverpool, England, Ms. Greenwood was educated at the Central School of Arts in London. She has designed for theatre, opera, dance, and film, including over 125 productions for Broadway since Ballad of the Sad Café in 1963. Awards include 21 Tony nominations (including a Lifetime Achievement Tony) and this year’s Tony Award for The Little Foxes. She is also in the Theater Hall of Fame. Professor of Design at the Yale School of Drama since 1976.

Broadway: Dear Evan Hansen, The Visit, The Nance, Of Mice and Men, Airline Highway (all received Tony nominations for Best Lighting). Other Broadway: Charlie and the Chocolate Factory, Bright Star, Sylvia, Old Times, The Heidi Chronicles, Macbeth (Drama Desk nomination), Cyrano de Bergerac, and The Snow Geese. Off-Broadway: Lincoln Center Theater, The Public Theater, NYTW, Second Stage, Playwrights Horizons, MTC, MCC, LAByrinth, and The Vineyard. West End: A Nice Fish (Harold Pinter Theatre), Blackbird (Albery Theatre).

Recent Broadway: Dear Evan Hansen, Hamilton, Bandstand, It Shoulda Been You, Mothers and Sons, Rodgers + Hammerstein’s Cinderella (Tony nomination), The Performers, Magic/Bird. Nevin is the audio consultant for Carnegie Hall’s Isaac Stern Auditorium.

Tom Watson headed the wig and makeup department at The Metropolitan Opera for 17 years. He has designed more than 80 Broadway productions, including Wicked, Rock of Ages, How to Succeed..., The Addams Family, Annie, Act One, You Can’t Take It With You, The King & I (LCT & tour), The Sound of Music (national tour), Dames at Sea, Thérèse Raquin, Fiddler on the Roof, Bright Star (Broadway & tour), Oslo (LCT), Long Day’s Journey into Night, Falsettos, and The Little Foxes. Upcoming: Junk (LCT) and The Parisian Woman (Broadway).

Select Broadway: Amazing Grace, Holler If Ya Hear Me, The Other Place, A Streetcar Named Desire, Wicked (all worldwide productions). edwardpierce.com

Broadway Associate Choreographer: Bright Star, It Shoulda Been You, First Date, Cinderella. Other: Carousel (English National Opera), Big River (NYC Encores!), Guys and Dolls (Old Globe and Asolo Rep.), Paint Your Wagon (5th Avenue Theatre), On the Town (LA Philharmonic), Company (Avery Fisher Hall), Minsky’s (Ahmanson Theatre). Television choreography: The Late Show with Steven Colbert (CBS), The Hatfields and McCoys (NBC pilot), and Alpha House (Amazon Studios). Direction/choreography: Little Mermaid (Casa Mañana), First Date (Straz Center).

B’way credits: Gigi (orchestrations), First Date (orchestrations), Hugh Jackman, Back On Broadway (additional orchestrations), The Addams Family (dance arrangements, additional orchestrations), Memphis (dance arrangements), Million Dollar Quartet (associate music supervisor), Ring of Fire (assoc. M.D.), All Shook Up (M.D.), Rent (associate conductor). Off Broadway: Bare, Romantic Poetry, Walmartopia, Imperfect Chemistry. Others: Disney’s Descendants (A. Lippa’s “Evil Like Me”), Come From Away, 2011 Billboard Music Awards, I Am Harvey Milk, Bull Durham, James and the Giant Peach.

Anthony De Angelis is a New York-based musician. Broadway work includes Associate Musical Director for Bright Star as well as playing performances of Aladdin, Bullets Over Broadway, and The Little Mermaid. Off-Broadway, he was Associate Musical Director for Kid Victory and Pacific Overtures, as well as playing Assassins, Peter and the Starcatcher, The Adding Machine, and Bunty Berman Presents. As a composer and orchestrator, his music has been featured at the BMI workshop, the New York Pops, and the Cincinnati Pops.

Seymour Red Press is the recipient of a Tony Honor for Excellence in the Theatre. Credits include more than 100 shows from the original Gypsy through Dreamgirls, Nine, Noise/Funk, Elaine Stritch: At Liberty, the acclaimed revivals of Anything Goes, Guys and Dolls, Carousel, and ...Forum. Screen credits include Disney’s The Hunchback of Notre Dame, Mike Nichols’ The Birdcage, and Paramount’s In & Out. An ASCAP composer, his compositions have sold more than 100,000 records. This season on Broadway: Hello, Dolly! and Chicago.

Broadway and national tour credits include Bright Star, Next Fall, The Seafarer, Coram Boy, Chicago, Annie Get Your Gun, Dirty Dancing, and South Pacific. Off-Broadway/regionally, he has cast productions for The Old Globe, Lincoln Center Theater, Women’s Project Theater, New York Stage & Film, Atlantic Theater Company, Naked Angels, Pasadena Playhouse, Irish Arts Center, Soho Playhouse, ATG, and NYMF. Artios Award (and three additional nominations) for Outstanding Theatre Casting. Hccasting.com

James Calleri, Paul Davis, Erica Jensen

Broadway: Fool for Love, Hughie, The Elephant Man (also West End), Hedwig and The Angry Inch, The Visit, Of Mice and Men, Venus in Fur, Living on Love, 33 Variations, A Raisin in the Sun, Chicago, James Joyce’s The Dead. Off-Broadway selects: Buyer & Cellar, Murder for Two, All in the Timing, Passion, Lobby Hero, Fuerza Bruta, Silence! The Musical. Casting for Long Wharf, McCarter, The Flea, Keen, Playwrights Realm, Rattlestick, Humana Festival/ATL, Williamstown Theater Festival, Berkeley Rep, CSC, Center Theatre Group, Playwrights Horizons (10 seasons). TV: The Path for Hulu, Army Wives, Lipstick Jungle, Monk, Hope & Faith, Ed. Lots of film including Mike Cahill’s Sundance winners Another Earth and I Origins. Awarded 13 Artios Awards for Outstanding Casting Achievement. Member CSA. callericasting.com

Michael is the recipient of six Artios Awards, given by the Casting Society of America for Outstanding Achievement in Casting. His theatre credits include productions at Pasadena Playhouse, Hollywood Bowl, Walt Disney Concert Hall, Geffen Playhouse, Kirk Douglas Theatre, La Jolla Playhouse, International City Theatre, Ebony Repertory Theatre, Getty Villa, Laguna Playhouse, Falcon Theatre, Colony Theatre, The Theatre @ Boston Court, 24th St. Theatre, Ensemble Theatre of Santa Barbara, Arizona Theatre Company, Arkansas Rep, Totem Pole Playhouse, and the Kentucky Shakespeare Festival, as well as several national tours. Michael has cast numerous independent films. TV credits include the series Blood Relatives.

Broadway: Bright Star. Regional: World premieres: Benny and Joon, October Sky, Bright Star, Dog and Pony, Allegiance, A Room With a View, Kingdom. A Few Regional Favorites: Picasso at the Lapin Agile, The Rocky Horror Show (The Old Globe); Sideways, Ruined, Herringbone, The Seven (La Jolla Playhouse); Venice (Center Theatre Group), to name a few. Also, Kennedy Center, Hartford Stage, Huntington Theatre Company, Berkeley Repertory Theatre, and SITI Company, among others.

In 1964, he was one-half of Peter & Gordon, who amassed nine top-20 records. In 1968, he was head of A&R for the Beatles’ record company, Apple Records, where he found, signed, and produced James Taylor. In 1971, Asher founded Peter Asher Management, representing James Taylor, Linda Ronstadt, Joni Mitchell, Carole King, Randy Newman, and more. As a producer, Mr. Asher has worked with such diverse artists as James Taylor, Steve Martin & Edie Brickell, Diana Ross, Neil Diamond, Linda Ronstadt, Robin Williams, and Cher, among many others. He has produced 13 Grammy Award-winning recordings and has twice been awarded the Grammy for Producer of the Year. In the New Year’s Honours list for 2015, Peter Asher was awarded a CBE by Queen Elizabeth.

Broadway: Bright Star, Dames at Sea, Tuck Everlasting, Promises, Promises, Finian’s Rainbow, White Christmas, The Pajama Game, and Wonderful Town. As music director of City Center Encores!, he has conducted the music of Bock, Coleman, Kander, Kern, Lane, Loesser, Loewe, Rodgers, Sondheim, Strouse, Styne, and Weill. Rob is an Emmy Award winner and six-time nominee for Outstanding Music Direction of The Kennedy Center Honors (CBS).

The Tony Award-winning Old Globe, San Diego’s flagship arts institution, is a leading professional regional theatre, reaching 250,000 people annually. Led by Artistic Director Barry Edelstein and Managing Director Michael G. Murphy, The Old Globe’s programs include 15 productions of classic, contemporary, and new works on three stages, including its renowned Shakespeare Festival and “Globe for All” community- based Shakespeare tour. Many Globe World premieres have gone on to successful runs on Broadway and in theatres nationwide.